国际当代艺术杂志【艺术评论 Artist Reviews】

BEIJING COLLECTION 2011 Artists

Debbie Chan, Du Zhenjun, Han Lei, Lis Engel, Natalia Repina, Aase-Hilde, Anne Gores, Flavia D'Ascoli, Grady Zeeman, Mitra Kavian, Seda Baghdasari, Sisko Ruskokivi-Runeberg, Berend Bode, MargaDuin, Al Wildey, Chansoo Hwang, Irene Neal, Jenny Bennett, Juan Carlos Robelo, Kicki Granholm, Loes de Haan, Luminita Gliga, Moon Hye Ja, Rosae Novichenko, Teri Starkweather, Ulla-Britt Bolina, Amy Cohen Baker, Charlotte Wensley, Paul Ygartua, Regina Miele, Tage Lundin

BEIJING COLLECTION 2011

exhibition dates TBA

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Home page » 艺术评论 Artist Reviews

Sterling Ruby’s Vampire

On September 24, 2011, The Pace Gallery, Beijing will present Vampire, American artist Sterling Ruby’s first solo exhibition in China and the first solo exhibition of a western artist at the Beijing gallery. Sterling Ruby, one of the most acclaimed young artists working today, will present all new work, including urethane stalagmite sculptures, spray-painted geometric sculptures resembling civic monuments, hallucinogenic color-field canvases, hand-wrought ceramics and bronze, basin-like sculptures.

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Liang Yu: New Works

Artist Liang Yu was born in North China and is presently working in South China. His works have been selected in the 7th, 10th and 11th National Art Exhibitions and chosen in national oil painting, engraving and watercolor painting exhibitions for many times.

The current exhibition with the title of “Signal · Faraway” includes nearly 40 oil paintings and engraving works, which are mainly recent works of the artist. On the basis of personal exhibition of “Signal Lamp” series held in Hongkong Cultural Center and Guangdong Artists Association, the artist gathers together new works in recent two years and creative manuscripts and here launches another exhibition.

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A Painting Conversation

At the moment I go to restaurants, the movies or the gym alone. I am not embarrassed by this, but if I’m dining out, I turn my phone on and pretend that I am talking to someone.

How do you do this?

Well, let’s say you are at your usual restaurant and the procedure has to look real since they already know you: You must press something on your phone and when the light goes on your screen (and the people at the restaurant can see it and believe that you are indeed engaged in conversation), you dial your own number.

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On the Edge/Over the Edge in Shanghai

m97 Gallery Shanghai is pleased to present “ON EDGE”, a Solo Exhibition of recent photography works by artist YANG YONG. The exhibition begins on September 6, 2011, and m97 Gallery will hold an opening reception for the artist on Tuesday September 6 from 5:00 to 8:00pm in the gallery.

The exhibition comprises photographs spanning the last 3 years from Shenzhen, Shanghai and Beijing, shown at m97 for the first time.

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21st Century Alchemy

James Cohan Gallery Shanghai is pleased to present the exhibition Alchemy & Inquiry with works by three prominent American artists, Philip Taaffe, Fred Tomaselli and Terry Winters. The exhibition was organized by independent curator Raymond Foye and Senior Curator Jennifer McGregor at the Wave Hill botanical garden and cultural center in New York City, where this exhibition first originated and was on view from April to June, 2011.

Nature and the natural world have long inspired artists in both Western and Eastern cultures. While each of the three artists in this exhibition have their own distinctive and innovative approach to their process and materials, they each share a common interest in producing works that become diverse, visually engaged responses to the ways in which they study nature and observe the changing landscape.

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Rumors, Gossip, and Other Speech at F2 Gallery

F2 Gallery presents the solo exhibition entitled “Rumor” by multimedia contemporary Chinese artist Wu Junyong from September 3rd to November 7th, 2011. The exhibition will feature a dozen of the artist’s recent and new paintings, as well as works on paper. Opening Reception on Sat, September 3, from 3-6 pm.

Wu was greatly encouraged to practice art since his childhood years by his family members. When he grew up, he was greatly influenced by local folk arts, Cultural Revolution propaganda art and the Socialist Realism from the Soviet Union. The idea that art is to serve a political purpose is rooted in his way of thinking, and it is present in his works.

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Nuanced Language: “Characters” at Chambers Fine Art

This exhibition brings together works by eight Chinese artists, which respond to the complexities of the Chinese written language. Whether exposed at an early age to the practice of calligraphy or simply conversant with its basic premises, none of the artists here, with the exception of Gu Wenda, work in the traditional medium of ink and brush on paper. Instead, we find calligraphy on silk and canvas supplemented with video (Yang Jiechang), burnt into xuan paper (Wang Tiande), executed by flashlight (Qiu Zhijie), reduced to one bit form and silkscreened on panel (Feng Mengbo), created from grape tendrils and photographed (Cui Fei) and finally painted in water on stone (Song Dong).

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According to Zhao Zhao: New Works

Chambers Fine Art is pleased to present the opening of According to Zhao Zhao: New Works on September 10, 2011. After graduating from the Xinjiang Academy of Fine Arts in Urumqi, he moved to Beijing in 2004 and soon encountered Ai Weiwei, whom he has assisted in many capacities: starting with the video Beijing: Chang ’an Boulevard, and continuing until today.

During this crucial period, however, he also worked independently in a range of media that included video, photography, performance and object–making, gaining a semi-underground reputation as one of the most provocative artists of his generation. Unwilling to be pinned down to one medium or theme, he operates in many different locations that range from a gallery space in the Dashanzhi Art District (798) to East Tianshan Mountain, Xinjiang.

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Zhang Dali: Chinese Offspring

According to the Zhang Dali, immigrant workers who have traveled from rural areas all over China to earn a living in construction sites in Chinese cities, are the most important members of the Chinese race: they are shaping our physical reality. Yet, they are the faceless crowd living at the bottom of the social world. To cast them in resin is a way to recognize their existence and contribution as well as to capture a fast-changing point of time in the Chinese society.

From 2003 to 2005, Zhang has portrayed 100 immigrant workers in life-size resin sculptures in various postures—with a designated number, the artist's signature, and the work's title Chinese Offspring tattooed onto each of their bodies. They are often hung upside down, indicating the uncertainty of their life and their powerlessness in changing their own fate.

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Xu Bing, A Landscape of Shadows

Chinese artist Xu Bing, recipient of a MacArthur Foundation "genius" award in 1999, unveiled a fascinating new direction in his most recent works before a packed crowd here at the Asian Art Museum. The talk was co-presented by the Museum and Asia Society Northern California.

Perhaps best known for creating an entirely new lexicon of made-up Chinese characters, Xu has long been regarded as a master in manipulating meaning and language.

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